Gavin Kroeber is an artist whose projects and writings poach from visual art, urban theory, and performance. He produces curatorial projects and performance events that interrogate the cultural dynamics of power and their expression in the poetics of place. His project New Cities, Future Ruins, which received the 2016 Meadows Prize, investigated planetary crises of growth, migration, and sustainability in the sprawling cities of the Sun Belt. Recently relocated to St. Louis, he organized the 2018 festival Dwell in Other Futures: Art / Urbanism / Midwest and the interdisciplinary platform Art + Landscape STL, which culminated in a 2019 exhibition produced in partnership with the German art institution Haus der Kulturen der Welt (HKW) and the Granite City Art & Design District (G-CADD). He most recently launched Laboratory for Suburbia, a collaboration with The Luminary and Washington University in St. Louis's Divided City initiative, and is currently developing a project engaging the multiplying burn zones of California's wildfires. He is co-founder of the nomadic curatorial platform Experience Economies and was Producer at Creative Time from 2005 until 2010. He is a regular contributor to Art in America and has written for publications such as Afterall, Art in America, Art Journal, and PAJ: A Journal of Performance and Art. He holds a Master of Design Studies in Art, Design, and the Public Domain from the Harvard Graduate School of Design.
“Producing Waiting for Godot in New Orleans” is, as its title suggests, a production memoir about artist Paul Chan’s 2007 project with Creative Time and the Classical Theater of Harlem. It was published in 2010 as a contribution to Waiting for Godot in New Orleans: A Field Guide, the entirety of which is available online as a free PDF.